MSJR, Burnin' and the Cost of Holding Four Genres at Once

MSJR, Burnin' and the Cost of Holding Four Genres at Once

The Pittsburgh Band’s Catalogue Single Answers to Reggae, Rock and Jazz at the Same Time

MSJR’s Burnin’ refuses to pick a lane. The Pittsburgh band cut the single with derek woods on vocals and released it on 24 January 2025. It holds reggae, alternative rock, groove and jazz in one arrangement, and lets none of them take over. Even so, that decision carries a price.

MSJR’s music is in the playlist below, and every piece this desk has run on him is gathered on the MSJR artist profile. Burnin’ reached this desk through PopHits.Co Music Charts, which verifies independent artists and places their releases across its network of music news desks. Give it a listen before reading on.


MSJR, Burnin' and the Cost of Holding Four Genres at Once
MSJR, Burnin’ and the Cost of Holding Four Genres at Once

Where Reggae, Rock and Jazz Meet on MSJR’s Burnin’

MSJR started in Pittsburgh in 2023 as an open mic project. Frontman Jonathan Vanaskie founded it, and named it for his friend Michael Spade Jr. The band calls its own sound a blend of reggae, rock and jazz fusion. Burnin’ is where that description meets the record.

The guitar holds the rock end. The beat underneath leans back into reggae, unhurried, pulling against the instinct to drive forward. Over the top, the harmonic movement gives the jazz away. The groove in between stops the three from arguing.

Yet none of it is decorative. Take one element out and the other two stop making sense. That is what separates a fusion record from a rock record that borrows a style for one section. Still, holding it across four minutes is much harder than attempting it for eight bars.

What derek woods Adds to Burnin’ and Why MSJR Left Room for It

A guest vocal on a record like this has one job. Instead of adding a fifth style, it gives the ear a fixed point to hold while everything underneath keeps moving.

derek woods does that on Burnin’. His vocal reads as a separate voice inside the arrangement, not a layer on top of one. So the parts around it step back and let it land. That puts the collaboration at the centre of the track rather than its edges, and it explains why Burnin’ stands apart in the MSJR catalogue.

The BestRock.News curator team: “What earns Burnin’ its slot with us is the restraint. A track built from reggae, rock, groove and jazz hands every player an excuse to solo. Nobody takes it. The parts stay in service of the arrangement, and that discipline is rarer in fusion than technique is.”

MSJR, Burnin' and the Cost of Holding Four Genres at Once
MSJR, Burnin’ and the Cost of Holding Four Genres at Once

The Cost of Fusion for a Self-Released Pittsburgh Band

Fusion costs something that has nothing to do with studio time. A record answering to four styles gives up its clean genre address. That address is what gets a track filed, shelved and found. Without one, the listener has to do the filing, and most listeners will not.

Since 2023, MSJR has worked under exactly that constraint. Burnin’ shows it plainly. The single came out on 24 January 2025, and the band still puts it in front of new people now. As a result, a self-released track with a reggae lean does not suit a straight rock playlist. It does not suit a straight jazz one either. Independent records that refuse a label surface late, one listener at a time.

The band kept working regardless. Build the Scene featured them on the Pennsylvania Rock Show. The catalogue has since grown past Burnin’, and the sound never narrowed to fit anything.

Who Burnin’ Is For and Where to Find MSJR

The audience here is specific, and it is not small. It is the listener who found the reggae upstroke inside a Sublime record and wanted more of it. It is the listener who plays Rebelution for the way horns and offbeat guitar share a bar without crowding. And it is the listener who came to Stick Figure for dub space, then stayed for the rhythm section.

Burnin’ rewards attention paid to the middle of an arrangement. That is where most rock records have nothing much going on. If that is how you listen, this one will repay you.

MSJR is independent and self-released, and the catalogue rewards more than one visit. Burnin’ sits on Spotify. The wider catalogue runs through the Spotify artist page and Apple Music. There is more on SoundCloud and the band’s official site. Day to day, MSJR posts on Instagram, TikTok, Facebook and the YouTube channel.


Love, Lust and Foolishness Drive Queens of the Stone Age's Perfecth

Love, Lust and Foolishness Drive Queens of the Stone Age’s Perfecth

Josh Homme of Queens of the Stone Age on stage in October 2025 Queens of the Stone Age release Perfecth…

Golem Dance Cult Give Pretty at Dawn a Guest Voice, a Cello and a Second Life on Video

Golem Dance Cult Give Pretty at Dawn a Guest Voice, a Cello and a Second Life on Video

A Franco-Australian Duo Turns a 2025 Album Track Into a Dark Wave Video Golem Dance Cult are a band built…

Justin John Scheck Maps Working-Class Life Through Jung on Excerpts From The Blue-Collar Diaries

Justin John Scheck Maps Working-Class Life Through Jung on Excerpts From The Blue-Collar Diaries

Emker Cel and the Cost of Trading the Band for Rita Baugh on The Quietest Of Revolutions

Emker Cel and the Cost of Trading the Band for Rita Baugh on The Quietest Of Revolutions

Open Your Eyes by Thomas & The Angry Hearts: Norwegian Rock in English, Forty Years On

Open Your Eyes by Thomas & The Angry Hearts: Norwegian Rock in English, Forty Years On

Zueri: Dave Curl and the Cost of Driving Past a Street Singer

Zueri: Dave Curl and the Cost of Driving Past a Street Singer

Soledad y Sangre Shows Darkwave, Forty Years on, Reaching Uruguay Through Vera

Soledad y Sangre Shows Darkwave, Forty Years on, Reaching Uruguay Through Vera

You Me & Kyle Show What a Two-Person Studio Does to They Promised Us There Would Be Flying Cars

You Me & Kyle Show What a Two-Person Studio Does to They Promised Us There Would Be Flying Cars

What the Car Stereo Does to a Record Like How 'bout Tonight by Joe Sneva

What the Car Stereo Does to a Record Like How ’bout Tonight by Joe Sneva

Austin Industrial Rock, Thirty Years On: Razed by Rebels and Broken Paradigm

Austin Industrial Rock, Thirty Years On: Razed by Rebels and Broken Paradigm

Ryan Sweezey Maybe Magic: What a Decade of Voice Memos Does to a Record

Ryan Sweezey Maybe Magic: What a Decade of Voice Memos Does to a Record

Brett Anderson of Suede on stage at the Royal Festival Hall

Suede Are Back on the Mercury Shortlist 33 Years After Winning

The Pink Diamond Revue and the Cost of Homemade Fuzz on At The Discotheque

The Pink Diamond Revue and the Cost of Homemade Fuzz on At The Discotheque

Nineties Alt Rock, Thirty Years on: TMYS and the Hook of I Wanna Get High

Nineties Alt Rock, Thirty Years on: TMYS and the Hook of I Wanna Get High

About The Author